Flower

One thing I appreciate about writing is that it gives me an imaginative space to explore and process emotions—all kinds of emotions. In this space, I try to encounter what I’m experiencing non-judgmentally. Emotions aren’t always neat, tidy, or pretty. Art aims to re-present experience in a way that is honest but crafted and beautiful. Some poems leave feelings unresolved, raw. Others offer a path away from pain or grief to something more settled or hopeful. The final form of a poem depends on many factors—the interplay of experience and beliefs, creative choices, and inexplicable intuitions.

“Flower” will be in my upcoming book, A Song of Glass, which I plan to self-publish later this year. Emotionally, this poem moves from a place of collapsing to expanding, a course I didn’t expect when I started writing it. The note of hope at the end helped me, personally, move to a place of hope. I pray readers will experience this as well.

Flower

I want to fold in on myself,
to close
and fall silent
within pursed petals

so that beauty blocks
the claw of the moon
and secrets what warmth I have
from cleaving winds

I will pass the night
swaddled in fragrance
then throw color-burst arms
around a kindlier sun

which coaxes gardens from buried seeds
and hand-feeds light
to buds that lift their heads
like baby birds

Published by mrteague

Teague McKamey lives in Washington state with his wife and two children. Teague’s poetry has appeared in several journals and in self-published books. He blogs at thevoiceofone.org and awanderingminstrel.com. In all areas of life, Teague desires that Christ may be magnified in his body (Php. 1:20).

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